Whether they’re making art films or masala films solidly in the mainstream, the people in the movie industry are all the same: big dreamers. In India, their dreams have to be bigger than everybody ...
WHEN Dada Phalke, India’s pioneer film director, cameraman, set-designer, make-up man, and one-man studio, first translated and produced the well-known Indian legend of Raja Harishchandra in 1913, he ...
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