Violinist Nikolaj Znaider (NEEK-oh-lye Z'NEYE-der) plays Max Bruch's most popular piece of music. Znaider teamed up with the Danish National Radio Symphony Orchestra and conductor Gerd Albrecht for ...
Some composers have had to live in the shadow of a great predecessor, most famously Brahms, looking over his shoulder at Beethoven. But Max Bruch lived his long life in the shadow of one of his own ...
Today’s Video of the Day features a performance of Max Bruch’s Violin Concerto No. 1 in G minor, Op. 26, by violinist Hans Christian Aavik with the Estonian Festival Orchesrta, conducted by Paavo ...
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An arresting, decisive call to action from Zurich’s Tonhalle Orchestra launches a powerful performance of Dvoˇrák’s Violin Concerto, in which Julia Fischer is a soloist with a mix of strong projection ...
Clemency Burton Hill is the new presenter of Tales from the Stave which begins its latest run in The Morgan Library in New York City. A violinist herself, Clemency explores one of the library's most ...
Plus, get the best of BroadwayWorld delivered to your inbox, and unlimited access to our editorial content across the globe. After their thrilling collaboration at the 2021 Bravo! Vail Music Festival, ...
Bruch: Violin Concerto No. 1Bruch: Violin Concerto No. 1 ...
Randall Goosby, the fast-rising 25-year-old star violinist, joins the Baltimore Symphony on Sept. 25 and 26 to play one of the Big Romantic Concertos: Max Bruch’s Violin Concerto No. 1 in G minor (Op.
Symphony of Northwest Arkansas concertmaster Winona Fifield solos in the Violin Concerto No. 1 in g minor by Max Bruch with the orchestra and Music Director Paul Haas, 7:30 p.m. Saturday in Baum ...
American violinist Randall Goosby made his debut with the Boston Symphony Orchestra on the Symphony Hall stage on Feb. 2, the first of two performances. Conducted by Andris Nelsons, BSO began their ...
From the Old Opera House in Frankfurt, we hear violinist Daishin Kashimoto with the Frankfurt Radio Symphony Orchestra, conducted by Hugh Wolff, in the Violin Concerto No. 1 by Max Bruch (1838-1920).