But while most parts of “Enter the Void” are a challenge to your senses, every second of the film is also a bounty for them. Imagine one of Richard Linklater’s animated films turned live-action or a ...

A very, very loose and highly symbolic adaptation of The Tibetan Book of the Dead, Gaspar Noé’s Enter the Void unfolds in four major parts. Oscar (Nathaniel Brown) is a young, drug-dealing American in ...

Imaobong Ifum (Ima) is a Features and Resources writer at Collider, where she gets to geek out about entertainment while managing the occasional hiring process. With over six years of freelancing ...

With Enter the Void, Gaspar Noé continues to earn his position as the cinema’s most bombastic visionary, a director who wears you down with the brutality, sensory overload, and sheer length of scenes ...

Tokyo's nasty underside, seen primarily through the eyes of Oscar, a heavy drug user, whose sister Linda is a stripper. Oscar also has flashbacks to his childhood when trauma upends the siblings.

Oh yes, don't forget - Gaspar Noé's Enter the Void is coming. This drug tripping, sex-filled, wild ride of a movie is French filmmaker Gaspar Noé's follow-up to the also-controversial Irreversible.

We always use our imaginations when we watch movies. We're accustomed to the time gaps between scenes that spare us the fall of an axe, the consummation of a hot, sweaty kiss or the boring car ride ...

Perhaps for this week’s column we’ll step away from the films with a B-movie outline or B-movie qualities and enter the world of art-house cinema. From a stylistic view, “experimental filmmaking” can ...

“They say you fly when you die,” a character says early on in Enter the Void, the third film by French-Argentinian director Gaspar Noe – and his first since 2002’s notorious Irreversible, with its ...