Matthew Ingram shares his views on the revolutionary potential of compost ahead of the publication of his new book, The ...

Uncovering the many-layered history of South Wales, Hannah Pezzack’s essay explores the intersections of industry, ecological ...

From Hammer Horror to kitsch to electronic music, to coincide with the publication of his new book The Alienation Effect, ...

Napster, the peer-to-peer file sharing application popular in the early 00s for pirating music and other audio, has been sold ...

Jeanette Leech looks back a short time to a distant place of mail order lists, short run tapes, CD-rs and word of mouth ...

Darran Anderson nails his krautrock colours to the mast and declares Tago Mago, Egi Bamyasi and Future Days the best 3LP run ...

The Atlanta rapper's third album is a sprawling mess full of unnecessary and forgettable features, but buried somewhere in ...

From a revelatory debut of Chilean post punk to gargantuan sound design, via left-field trad fiddles, sonic euphoria, and proof that innovative dance music is still being made, tQ's staffers round up ...

John Doran brings the live documentary performance about heavy metal and modernism to Tasmania... Horns up down under!

Jennifer Lucy Allan attempts the impossible: offering a gateway into the colossal artistic practice of Tori Kudo ...

Following success scoring the films of Ryūsuke Hamaguchi, the Chiba-born composer-performer returns to the leftfield pop of ...

On her thrilling second album, Aya's abrasive mix of techno, UK bass, noise and industrial becomes a surgical tool for ...