Molima Molly Pihigia shares her insight as a founding member of Falepipi he Mafola: the award-winning Niuean handicraft group bringing together a community of older persons.

Jean Sergent steps us through how one risk-share theatre managed in the confusing days before lockdown, and captures some of their immediate reflections now.

This centuries-old Heretaunga whakataukī is the vision behind Te ahua te wa te atea, a new moving image work by Russ Flatt (Ngāti Kahungunu) currently adorning MTG Hawkes Bay Museum's exhibition space ...

“ HyperKunt is a compound word that I made, combining the genre hyperpop and the word ‘kunt’. Kunt, with a K, is basically a Queer term that was popularised during the ballroom, vogue scene in the 80s ...

Victoria Wynne-Jones ruminates on the fruitful intertwinings of neck adornment and contemporary art through the practices of Sione Monū, Renee Bevan and Lisa Walker.

After returning to the workshop of his teacher and mentor, Robert Jahnke, Isiaha Barlow is drawn back into the world of Toi Māori.

Laura Toailoa shares lessons learnt from Animorphs, the 90s children’s book series, in the most mentally challenging year of her life.

So consider me a bit freaked out when I see her for the first time as Seven – outrageous, violent, and a bit manic – stabbing her way onto the stage. We see her audition for roles over and over as she ...

Ōtepoti, we're heading your ways in September! Click this link to read and register for Pantograph Punch x Ōtepoti Writer Lab's upcoming publishing workshop on the 17th and opportunities coming your ...

In early June we held a launch event for our Pantograph Pals (and a celebration of our 13th birthday) at Season in downtown Tāmaki Makaurau. We invited a few contributors to speak to our journal’s ...

Jess Karamjeet, the founder of the Pan-Asian Comedy School Aotearoa, aka PACSA (Laughs), reflects on her journey into comedy, and her hopes of joy across diverse communities.

20-something girlies sitting on a couch, chatting about love, friendship and honesty. Janhavi Gosavi reviews To All the Friends I’ve Lost Before at New Zealand Fringe Festival.