Dermot Kennedy has said that his new song, Let Me In, is about the "struggle to find true happiness, and the people and places that have brought me closest to it in my life." We need your consent ...
Konstantin Treplev (Kodi Smit-McPhee). The play begins with a play; director Konstantin and his muse Nina Zaréchnaya (Emma Corrin) perform to an audience made up of his family and their friends.
Meanwhile, Kodi Smit-McPhee’s lanky, introverted Konstantin is captivated by Nina too and is oblivious to the hurt that causes to his put-upon admirer Masha (a refreshingly spiky Tanya Reynolds).
The duo were joined by fellow cast mates Tom Burke and Kodi Smit-McPhee as they celebrated the ... on forced holiday in the Russian countryside, reminded me at times of Jennifer Saunders in ...
Konstantin Treplev (Kodi Smit-McPhee), to the point of despair. He’s a young writer struggling to find his voice, and disaffected with the risk-averse banality of the artistic mainstream.
Kodi Smit-McPhee! Tanya Reynolds ... of the show along with playwright Duncan Macmillan – has been happy to let his production be led by the actors rather than a singular directorial vision.
But she’s playful, too – her sensationally self-absorbed Arkadina, on forced holiday in the Russian countryside, reminded me at times ... in love with Kodi Smit-McPhee as Arkadina’s lanky ...
What’s the point of theatre? It’s the question that director Thomas Ostermeier - once the enfant terrible of German theatre, who famously said that directors over 40 should stop working ...
Tom Burke brings a mix of baffled weariness and shrewd opportunism to Trigorin, while Kodi Smit-McPhee as the tormented Konstantin and Emma Corrin as the radiant, would-be actress Nina ...
In the interview, Kodi admits he thinks "suppressed trauma ... They weren't things that were expected of me, but while I saw it [acting] as the greatest experience of my life, I also saw it ...
It works surprisingly effectively, making the lakeside where Corrin’s Nina presents an avant-garde play by Kostya (an anxiously vulnerable Smit-McPhee) the centre of the action as well as the mood. It ...
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